Welofi podcast part 141 by Kronol Rome based producer Kronol rolls through this week with an uplifting mix full of house grooves and infectious melodies geared towards the home chilling.…
Welofi podcast part 140 by NMNVNDL By the way our podcast number 140 from weloficast series by famous nmnvndl matches it’s average ghetto house bpm.nmnvndl – graffity artist and great…
Lieke Trienekens – weloficast 124 This podcast is kindly recorded by Lieke Trienekens from Amsterdam, Netherlands. After long conversation Lieke has found some free time among her daily discovering of…
Explore South America with Vera Brothers Your support helps us a lot <3Welofi Earlier in February during the discussion of a new part of podcast, we have talk with Vera…
Sevil started to Djing in Aegean coast heaven Izmir where is the hometown of her since 2012. Success of her decks selection brought her to Istanbul and she kept growing…
DJ Windows 7 interview.log Interview with DJ WIndows 7 The all behind the music: Until it does some time thought that by nature the musical art had to generate…
Welofi podcast by No_4mat (episode #69) No_4mat (aka Mikhael) from New-York city – his acclaimed self-released single ‘1992’ got millions of streams through the net (spotify, soundcloud etc). He mades…
Weloficast vol.30 with producer from Seville, Spain – DJ Nerdiboy
As a representative of Nerang Recordings and Dream Raw Recordings he made a mix full of raw sounding
Lo-fi house (also referred to as outsider house/leftfield house) is a genre of electronic music combining elements of house music, techno and noise. The music is often rough-sounding and “lo-fi”, in contrast to the “polished cleanliness” of other contemporary electronic music genres. The term “outsider dance” was first coined in 2012 by DJ Ben UFO and music journalist Scott Wilson, referring to different producers and record labels “operating at the fringes of the fringes” such as Laurel Halo and labels including L.I.E.S., Opal Tapes, Future Times, 1080p, and Lobster Theremin. Outsider house is also closely related to technoise, a fusion of techno and noise music
Lo-fi (originally typeset as low-fi [from the term “low fidelity”] and alternately called DIY [from “do it yourself”]) is an aesthetic of recorded music in which the sound quality is lower than the usual contemporary standards, or which highlights imperfections of the recording for artistic effect.
These standards have evolved throughout history, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi only began to be recognized as a style of popular music in the 1990s. Harmonic distortion (or “analogue warmth”) is sometimes wrongly suggested as a core feature of lo-fi music. Its aesthetic is actually defined by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on)
Lo-fi house and raw oriented podcast from Weloficast series vol. 29 by New-York City producer code.pump “Smooth podcast is on the shorter side, but solid. I threw in a couple tracks by…
Lo-fi house (also referred to as outsider house) is a genre of electronic music combining elements of house music, techno and noise. The music is often rough-sounding and "lo-fi", in contrast to the "polished cleanliness" of other contemporary electronic music genres. The term "outsider dance" was first coined in 2012 by DJ Ben UFO and music journalist Scott Wilson, referring to different producers and record labels "operating at the fringes of the fringes" such as Laurel Halo and labels including L.I.E.S., Opal Tapes, Future Times, 1080p, and Lobster Theremin. Outsider house is also closely related to technoise, a fusion of techno and noise music
Lo-fi (originally typeset as low-fi [from the term "low fidelity"] and alternately called DIY [from "do it yourself"]) is an aesthetic of recorded music in which the sound quality is lower than the usual contemporary standards, or which highlights imperfections of the recording for artistic effect.
These standards have evolved throughout history, meaning that some older examples of lo-fi may not have been originally recognized as such. Lo-fi only began to be recognized as a style of popular music in the 1990s. Harmonic distortion (or "analogue warmth") is sometimes wrongly suggested as a core feature of lo-fi music. Its aesthetic is actually defined by the inclusion of elements normally viewed as undesirable in professional contexts, such as misplayed notes, environmental interference, or phonographic imperfections (degraded audio signals, tape hiss, and so on)